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RADICAL CONTENT
MEETS
RADICAL FORM

 

PAST PRODUCTIONS

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OUR MISSION

Ceaseless Fun fosters empathetic and socially-engaged discourse through feverishly philosophical and playfully illicit live performances.

This is done by:

Collaboratively devising contemporary and relevant material with both performers and designers

Crafting and staging performances in unconventional spaces

Affording audiences agency and implicating them within the fiction

Drawing on and collaging a variety of literary, dramatic, poetic, and philosophical source-texts

Challenging the audience to draw their focus from the narrative to the expressionistic

Making the work as physically and monetarily accessible as possible

 

COMPANY MEMBERS

Artistic Director: Derek Spencer

Current Company Members:

Woodrow Currie

Jordana Lilly

Dakota Loesch

Allegra Masters

Scott Monahan

Soren Royer-McHugh

Meredith Treinen

Emily Yetter

Past Company Members:

Juliet Deem

Liam Moore

 
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SELECT PRESS

 

THE STARS SHINE BRIGHT IN A YEAR TO REMEMBER FROM CEASELESS FUN

"The minds behind Ceaseless Fun are, first and foremost, philosophers and empaths of the highest order....Ceaseless Fun has proven itself as an immersive force of the highest caliber"
- Chris Wollman, Haunting

GRIEF AS FRACTAL ART: ‘AGNOSIA’

“Yetter and Loesch have a dynamic that feeds off each other, even when they can’t directly acknowledge the other’s presence. The way that the piece plays their words off each other reminded me of a mixmaster keeping two turntables in flow: the strophe/anti-strophe of a Greek chorus in miniature. There is great precision here, with the Ceaseless Fun team hitting their stride in the one-on-one dynamic.”
- Noah Nelson, No Proscenium

‘THEY WHO SAW THE DEEP’ IS LIKE BEING LOST IN THE WEIRDEST DREAM YOU CAN POSSIBLY IMAGINE

"One of the most open pieces of immersive theater to emerge in L.A. in recent memory."
- Juliet Bennett Rylah

CRASH COURSE: A REAGAN OBSESSED FEVER DREAM EXPLODES IN LA

"this is the fractal mojo of immersive working in high gear. Anchored in cultural anxieties and iconography that have taken on new weight in 2017."
- Noah Nelson, No Proscenium

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